Derrick Velasquez’s Untitled series is created of meticulously hand-cut strips of marine vinyl layered onto wooden forms. Inspired by his background in bookbinding, Derrick transforms vinyl into sculptural wall pieces that reveal the inner structure of the fabric. The accumulation of strips creates subtle color harmonies and a shifting visual structure, where the vinyl rounds and curves, moving beyond the rigid shape of the base form.

Constructed from cut plywood and individually raked with tile mortar, Elizabeth Atterbury’s wall works are reconstructed and puzzled together, rejoining the carved glyphs as one complete narrative wall works. Her practice explores legibility, opacity, improvisation, and object-making to reflect on her Chinese American heritage.

Andrew Hayes’ sculptures transform the permanence and strength of steel into graceful, refined forms. Influenced by his early experiences with his father, a welder, Hayes manipulates the material’s surface and form. He creates a sense of softness and quietness within the steel’s inherent rigidity.

Myles Bennett uses techniques like intricate pencil work, inking into fibers, and removing canvas threads to create a spatial depth that transcends the two-dimensional plane. His pieces merge mediums and blur the lines between painting, drawing textile, and sculpture.

Katie McQuillen uses printmaking techniques to pass thin layers of acrylic paint through a silkscreen. The process creates a glow-like effect with patterns that appear and vanish. The results are a visual experience that draws the viewer in, sparking a curiosity to explore the depth of the painting.