Public Plaza + Lobby
Financial Services
We helped transform our client’s public plaza and lobby into a vibrant, welcoming environment by commissioning site-specific artwork for both interior and exterior spaces. Outside, a new public art sculpture and a series of overhead panels create a distinctive visual identity for the plaza. Inside, artwork at the primary and secondary entrances offers an uplifting experience, infusing the space with warmth and energy. Together, these elements create a memorable welcome for the community and reflect the client’s commitment to inspiring and building better lives and communities.
Architect: Little Diversified. Photography: Lydia Bittner Baird and Ben Premeaux.

BRYONY ROBERTS STUDIO, Threshold, 2025. Site-specific sculpture.
Site-Specific Sculpture
Plaza
Threshold, created by Bryony Roberts Studio, serves as a gateway to the client’s plaza, inviting visitors into the public space and framing a view of the building beyond. Constructed with a curving steel tube frame and coated steel cables in shades of copper, silver, and gold, the sculpture reflects sunlight to create a luminous presence. As light shifts throughout the day, the cables cast intricate, ever-changing patterns of shadows across the site.


The sculpture invites touch and visual exploration. As the cables twist in space around the curving frames, they create complex interlocking spaces. The artwork has several different scales of portals within it, with a smaller opening inviting children to move through it. The artwork appears to change as viewers move around it, revealing openings and curving volumes created by the intersecting cables. Although Threshold is stationary, it creates the illusion of constant movement.”
Bryony Roberts Studio
Threshold is a dynamic gateway to the client’s plaza entry. Thousands of colored cables stretch between curving steel frames, creating a constantly changing visual experience as community members move around it. The aircraft cables increase in density and color vibrancy as they move from the ground up, inviting visitors to look to the sky and move around the piece to explore it’s many angles, while shifting sunlight casts a changing pattern of intricate shadows on the ground.

Applied Design
Overhead Panels
Interwoven is a collaborative work by artists Thomas Schmidt and Erik Waterkotte, designed specifically for the building’s public plaza. Drawing from the building’s architectural design, the rolling Piedmont landscape, and Charlotte’s textile history, the site-specific installation transforms existing architectural panels into a twisting, dimensional graphic pattern that evokes woven fiber. Layered design elements, subtle color variations, and moiré effects reflect the surrounding stone, metal, and brick, creating a vibrant connection between the site’s history and its contemporary identity.


THOMAS SCHMIDT + ERIK WATERCOTTE, Interwoven, 2025, printed digital design. Site-specific commission.

CLAUDY JONGSTRA STUDIO, Layers of Diversity, 2023, multipanel dyed wool installation. Site-specific commission.
Lobby Reception Desks
Primary + Secondary Entry
Our client commissioned Claudy Jongstra Studio, to create three site-specific fiber artwork installations that are integrated into the lobby’s reception desks. With expressive strokes of vibrant color created from plant-based dyes using indigenous wool, Jongstra’s artwork contributes to the creation of healthy and inspiring environments. The artwork celebrates the abundance of nature with a layered composition of plant-based colors, drawing inspiration from the geology and hydrology of Charlotte, which produced the conditions for America’s first ever gold discovery.
The golden hues of Charlotte’s rare and valuable gold deposits are created using humble onion skins, a common waste material that is given new life and value. The main material for the artwork commission is wool humanely sheared from Drenthe Heath sheep. They are the oldest breed from northern Europe and very rare. Originally, this breed had one purpose only, landscape preservation and balancing ecosystems. On Jongstra’s farm, the wool is a valuable resource, as such, the sheep endure no stress, antibiotics, and live in safe harmony.
The revelation of colors from plants onto fibers from indigenous wool requires diverse and dynamic knowledge and skill, providing a model for growth toward sustainable futures. In this way, the natural dye process is a metaphor of transformation that reflects the philosophy of Truist to build better lives and communities by centering care.


CLAUDY JONGSTRA, Layers of Diversity, 2023, multipanel dyed wool installation. Site-specific commission.


CLAUDY JONGSTRA STUDIO, Layers of Diversity, 2023, multipanel dyed wool installation. Site-specific commission.

AUSTIN BALLARD, From the series Dappled Dunes, 2022, cane webbing and epoxy clay on custom pedestal by Pitch and Burl. Site-specific commission.
Lobby Alcove
Secondary Landing Area
Charlotte-born artist Austin Ballard uses traditional textile pattern-making in sculptures that evoke a sensitivity for touch and reflection. Derived from the Rattan Palm, the core material becomes reference to both plant and body. Ballard’s sculptures transform their fibrous nature to create a mysterious uniformity, evocative of a digital reproduction or artificially generated form.


AUSTIN BALLARD, From the series Dappled Dunes, 2022, cane webbing and epoxy clay on custom pedestal by Pitch and Burl. Site-specific commission.
Inset Niches
Primary + Secondary Lobby
In the vibrant canvases of New York-based artist An Hoang, viewers find themselves enveloped in expressions of nature that transcend the ordinary. Hoang’s art captures the ephemeral aspects of the natural world—the shifting patterns of weather, the elusive play of light, and the cyclical change of seasons. Through her use of cloud-like forms and the subtle gradations of light and shadow, Hoang crafts compositions that delve into the unseen forces of nature as well as the visible world. Characterized by vivid colors and dynamic energy, Hoang’s paintings serve as a reminder of nature’s endless capacity for renewal and transformation.


AN HOANG, Two Skies, 2024, oil on canvas. Site-specific commission in collaboration with Tracey Morgan Gallery.

DAMIAN STAMER, Collaboration 2, 2024, oil on linen. Site-specific commission in collaboration with SOCO Gallery.
North Carolina-based artist Damian Stamer delves into the themes of memory and importance in his large- scale paintings. His works are deeply rooted in his childhood memories of the South, blending the dynamic energy of gestural brushstrokes with references of Southern life. His layered paintings infuse the canvas with a sense of life and motion, navigating the delicate balance between creation and fading away, reflecting on how the past shapes our present. Damian Stamer’s work is a tribute to the enduring allure of the South, a contemplation on the ways we connect with places and moments long passed but not forgotten.



DAMIAN STAMER, Collaboration 1, 2024, oil on linen. Site-specific commission in collaboration with SOCO Gallery.
Additional Projects
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